Wednesday, December 12, 2012
Drawing for Beginners class at SAS
Just a quick note to let you know that there are a few spots left in my upcoming "Drawing for Beginners" class at Scottsdale Artists' School . It meets on Thursdays, 9:00 to 12:00 for 4 sessions and starts on January 10, 2013, ending January 31st. I really enjoy teaching this class, it's great fun.
Labels:
Teaching
Monday, December 10, 2012
Annual Holiday Miniatures Show at Abend Gallery
My new little painting "Sun Worship" is on sale now at the annual Holiday Miniatures Show at Abend Gallery. The show opened with a reception this past weekend - hope you can get to Denver to see the show.
Thursday, August 23, 2012
Portrait of Jim
"Portrait of Jim", Oil, 30" x 24"
My brother, Jim Tracey, is a wonderfully creative musician, actor and artist. I've been wanting to paint him for years. I wanted to create a painting that referenced music and where we grew up together (Michigan, hence, the maple leaves) and I also tried to show his indomitable spirit.
My brother, Jim Tracey, is a wonderfully creative musician, actor and artist. I've been wanting to paint him for years. I wanted to create a painting that referenced music and where we grew up together (Michigan, hence, the maple leaves) and I also tried to show his indomitable spirit.
Labels:
My Work
Monday, August 13, 2012
Summer Camp at Chez Brandon
Where I live, there's been one ominous dust storm after the other. It's best to be inside your house when they happen, or at least not driving or walking or riding your bike, which is of course not always avoidable. One of these days I'll paint a dust storm. I'll be like Turner, riding on the outside of the stagecoach in the midst of a galestorm, face fiercely bared to the elements, to feel what it's like to be in a gale. On second thought, maybe I won't be like Turner. It depends on the dust storm, I guess.
One thing for sure: even if you are inside, a dust storm is bad for oil paintings with sticky mediums, dark backgrounds and murderously particuloid on varnish days. I have a nice place to paint in, but the least bit of dust swirls around and gloms itself to my paintings. An artist friend advised me to "tent my paintings". I don't think she actually meant "go out and buy a little tent and set it up and put your paintings in it", but that is what I did after I visited a local big box store and children's tents were on clearance for fourteen dollars. I have this set up in a bathroom but you could also put one in a garage. If I had an attic or basement, I would set it up there.
Actually, you could also just set up a sheet over a table and set your paintings under there.
Before I had this tent, I put my paintings in a narrow closet and closed the sliding door, but the closets are carpeted and I'm convinced they shed microscopic particles of alien fuzz.
One thing for sure: even if you are inside, a dust storm is bad for oil paintings with sticky mediums, dark backgrounds and murderously particuloid on varnish days. I have a nice place to paint in, but the least bit of dust swirls around and gloms itself to my paintings. An artist friend advised me to "tent my paintings". I don't think she actually meant "go out and buy a little tent and set it up and put your paintings in it", but that is what I did after I visited a local big box store and children's tents were on clearance for fourteen dollars. I have this set up in a bathroom but you could also put one in a garage. If I had an attic or basement, I would set it up there.
Actually, you could also just set up a sheet over a table and set your paintings under there.
Before I had this tent, I put my paintings in a narrow closet and closed the sliding door, but the closets are carpeted and I'm convinced they shed microscopic particles of alien fuzz.
Labels:
Studio tips
Thursday, August 2, 2012
"Rachel in my Studio"
30" x 24", oil. Available for purchase at Principle Gallery, Alexandria, VA.
This antique low-backed portrait chair shows up in a lot of my paintings, only this time I've covered it up with a draped cloth. I'm happy that I finally figured out how to adjust my skylights so that I get nice dramatic light that is a little diffused and not blasting like a laser beam (I live in Arizona! hey, we have sunlight here). When I do this again I'm going to push the podium back a few more inches. The trick is to set the easel up so that I can see the subject and what's on my easel at the same time while being able to back up several feet, not always easy to do, depending on the room. My subject is a wonderfully talented young woman, so beautiful and great fun to paint.
This antique low-backed portrait chair shows up in a lot of my paintings, only this time I've covered it up with a draped cloth. I'm happy that I finally figured out how to adjust my skylights so that I get nice dramatic light that is a little diffused and not blasting like a laser beam (I live in Arizona! hey, we have sunlight here). When I do this again I'm going to push the podium back a few more inches. The trick is to set the easel up so that I can see the subject and what's on my easel at the same time while being able to back up several feet, not always easy to do, depending on the room. My subject is a wonderfully talented young woman, so beautiful and great fun to paint.
Labels:
My Work,
Studio tips
Friday, July 27, 2012
"Mia in a White Turban" in a collection featured in Aug. 2012 issue of American Art Collector
"Mia in a White Turban" is featured in a photograph in the recent August 2012 issue of American Art Collector magazine as part of a story about a wonderful art collection in Virginia. I love seeing my paintings hang in a collector's home and I'm especially happy to see this painting in this particular collection.
Sunday, July 15, 2012
3-Hour Portrait Demonstration: Saturday, Sept. 29, 2012
On Saturday, Sept. 29, 2012 from 1:00 - 4:30, I'll be demonstrating how I paint a head and shoulders portrait (like the one above, although I probably won't be painting a profile). This demo is presented by the Portrait Artists of Arizona and the afternoon will include light refreshments.
Here's the address:
Studio 1307, 1307 N. Scottsdale Rd., Tempe AZ 85281
The fee for the demo varies according to whether you're a PAOA member or not - members get an early-bird discount if they sign up before 8/1/12 - and non-members pay a slightly higher fee, but the fee at the door is $40.00. Please come!
Here's the address:
Studio 1307, 1307 N. Scottsdale Rd., Tempe AZ 85281
The fee for the demo varies according to whether you're a PAOA member or not - members get an early-bird discount if they sign up before 8/1/12 - and non-members pay a slightly higher fee, but the fee at the door is $40.00. Please come!
Labels:
Art News
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